On the Aesthetic Education of ManCourier Corporation, 2004 M01 1 - 146 pages A classic of 18th-century thought, Schiller’s treatise on the role of art in society ranks among German philosophy’s most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society—and of the French Revolution, in particular—to define the relationship between beauty and art. Schiller’s proposal of art as fundamental to the development of society and the individual remains an influential concept, and this volume offers his philosophy’s clearest, most relevant expression. Translated and with an introduction by Reginald Snell. |
Contents
INTRODUCTION page | 1 |
FIRST LETTER | 23 |
FOURTH LETTER | 30 |
SIXTH LETTER | 37 |
SEVENTH LETTER | 45 |
TENTH LETTER | 55 |
TWELFTH LETTER | 64 |
FOURTEENTH LETTER | 73 |
SIXTEENTH LETTER | 81 |
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Common terms and phrases
A. E. Taylor absolute abstraction activity actual aesthetic already appearance Arthur Baker Arthur Schopenhauer artist Available in U.S. become Benedict de Spinoza boundaries capacity certainly character combined complete conception condition Critique of Judgement culture demand determinacy determination dignity distinguished dition DOVER BOOKS enquiry eternal everything exclusively existence experience faculty feeling Fichte force formal impulse former freedom fundamental impulses George Santayana Goethe harmony Henri Bergson Herbert Read humanity idea ideal illustrations imagination individual infinite influence insofar intellect judgement Kantian Letters limits matter means ment merely mind moral Nature necessary necessity never noble object opposite ourselves passivity perception perfection person philosophical physical Plato play impulse poetry principles pure rational reality realm reason Schiller self-dependence sensation sense impulse sensibility sensuous shape shew simply society soon sphere spirit strive taste things thought tion truth twofold uncon unity whole